Résumé
Professional Experience
| Present–1988 | Professional freelance writer, arts journalist, editor. |
| Present–1999 | Dance Critic Star Tribune Minneapolis, Minnesota Cover diverse dance performances (from classical ballet to dance theater, postmodern to ethnic dance) via features, reviews and news articles. |
| Present–2007 | Dance Critic Minnpost.com Provide bi-weekly posts and monthly features on dance in the Twin Cities. |
| 2007–2006 | Arts Editor Twin Cities METRO Minneapolis, Minnesota Research, assign, and edit and/or write up to 15 pages of music, dance, theater, visual arts, film, literature and architecture/design coverage every month. Includes articles, features and profiles. Coordinate photo shoots and art with art directors. Hire and supervise staff of arts columnists. |
| 2004–1999 | Editor, Art Director Architecture Minnesota Minneapolis, Minnesota Responsible for all editorial responsibilities required to produce a bimonthly magazine, including: envisioning and establishing editorial direction and tone; project managing each issue; writing up to three-quarters of editorial content; scouting out and hiring freelance writers; editing freelance assignments; collecting and selecting all photography; guiding graphic designer; conducting meetings with architectural community for input and story ideas; supervising jurors during selection of annual architectural awards; fact checking, copyediting, proofreading, public relations and administrative tasks. |
| 2000–1996 | Founder, publisher, editor, writer The Prairie Reader St. Paul, Minnesota Description similar to that listed above, with addition of financial, subscription and publicity responsibilities. |
| 1997–1982 | Various writing and editing positions throughout Minneapolis and St. Paul including with: Children’s Home Society of Minnesota, International Market Square, MSP Communications, The Minnesota Daily |
| 1982–1981 | Editorial internship Persephone Press Watertown, Massachusetts |
| 1980 | Teaching assistant, Introduction to Women’s Studies University of Minnesota Minneapolis, Minnesota |
Education
| In process | Masters of Liberal Studies University of Minnesota Minneapolis, Minnesota |
| 1981 | B. A. English University of Minnesota Minneapolis, Minnesota |
Professional Memberships
| Present-2004 | Dance Critics Association, Board Member |
| Present–2007 | National Arts Journalism Program |
| Present–2006 | Popular Culture Association |
| Present–2006 | Visual Arts Critics Union of Minnesota |
| Present–2004 | Society of Dance History Scholars |
| Present–2004 | Congress on Research in Dance |
Scholarship
| 2008 | “Rage Against the Machine: Movement as a Means of Liberation in The Matrix Trilogy,” to be presented at the national Popular Culture Association/American Association Conference. |
| 2007 | “Site and Specificity: Collage Dance Theater’s Twenty-Year History as a Kinetic Map of Los Angeles’ Forgotten Architecture,” presented at Hawaii International Conference on Arts and Humanities Popular Culture Association/American Culture Association. |
| 2006 | “Mississippi Movement: Marylee Hardenbergh’s Site-Specific Dances for the Mississippi River” presented at the International Conference on Rivers and Civilization. “One Place, Two Histories: Site-Specific Dance at Jacob’s Pillow” delivered at the Society of Dance History Scholars 2006 Conference. |
Academia
| 2007 Affiliate Faculty |
Introduction to Dance University of Minnesota Dance Department (Minneapolis, MN) |
| 2007–2006 Instructor |
“Writing to Learn, Learning to See,” 8-week Instructor course on writing arts criticism for high-school students (St. Paul, MN) |
| 2006–2004 Guest Lecturer on Dance Criticism and Scholarship | “Dance and Survival” class, University Dance Criticism of Minnesota Dance Department (Minneapolis, MN) |
| 2003
Cowles Land Grant Chair,
Guest Critic Residency University of Minnesota Dance Program |
Responsibilities included viewing and critiquing student performances, discussing the process of viewing, critiquing and writing dance criticism, providing written materials on dance criticism for discussion (Minneapolis, MN). |
Grants and Fellowships
| 2005 Jacob’s Pillow Becket, Massachusetts |
Research fellowship for outdoor, off-the-stage and site-specific dance. |
| 1995 Jerome Foundation: Travel and Study Grant St. Paul, Minnesota |
Funding to research and write about site-specific dance. |
| 1994–1993 Center for Arts Criticism: Critics Travel Grant St. Paul, Minnesota |
Funding to research celebration art and site-specific dance. |
| 1993 Center for Arts Criticism: Critics Travel Grant St. Paul, Minnesota |
In conjunction with Tapestry Folkdance Center, funding to write essays on the evolution of five folk dances. |
| 1992 Center for Arts Criticism: Travel Grant St. Paul, MN |
Funding to research the mythology of the American West and the multicultural origins of country-western and square dance. |
Juries and Panels
| 2007 MMPA and Loft Literary Center Minneapolis, MN |
Panelist for Magazine Writers’ Festival. |
| 2007 American Institute of Architects-MN Minneapolis, MN |
Juror on photography-selection panel for AIA-MN/Minnesota Historical Architecture photography competition. |
| 2007–2006 Dance Critics Association New York, NY |
Juror on Gary Parks Scholarship Committee. |
| 2007 Society of Marketing Professionals Minneapolis, MN |
Juror on SMPS National Marketing Communications Awards. |
| 1995 Minnesota Dances Selection Panel Minnesota Dance Alliance Minneapolis, MN |
Member of selection panel for dance festival. |
Awards
| 2004 | Presidential Citation, American Institute of Architects-Minnesota, “For vision and clarity in shaping the public dialogue on architecture.” |
| 2003 | From Minnesota Magazine Publishers Association for Architecture Minnesota: Gold Award, Best Single Topic Issue Gold Award, Best Feature Article Bronze Award, Best Single Topic Issue |
Public Speaking
| 2007 Magazine Writers’ Festival Minneapolis, MN |
Speaker on panel discussion “Pitching the Story.” |
| 2006 Society of Marketing Professionals Minneapolis, MN |
Speaker on media roundtable for marketing professionals in architecture firms. |
| 2001–1996 Various venues Twin Cities, MN |
Lectures on prairie gardening and prairie aesthetic. |
| 2000 “Site-Specific Performance” Walker Art Center Minneapolis, MN |
Moderator of discussion on artists who use unusual sites as “stages” for performance. |
| 1996 “Confluences” Walker Art Center Minneapolis, MN |
Presenter and moderator for program on arts and the environment. |
| 1995 “Midmorning” Minnesota Public Radio St. Paul, MN |
Taped dance previews and reviews. |
| 1995–1993 “Radio Verite” KFAI-FM Minneapolis, MN |
Live broadcasts on dance topics. |